Home About Us Ordering Info Contact Us

Mailing List.

                                

New      Now available!

Blacks in Classical Music II
An International Bibliography and
Resource Guide

By John Gray

Price: $175
Binding: Cloth
ISBN: 9780984413492
1120 pages
African Diaspora Press
Pub. Date: May 2023

SUBJECTS
Music Reference
Ethnic Studies -- Black/African Diaspora Studies

SERIES TITLE: Black Music Reference Series
SERIES NUMBER: 10

DESCRIPTION
People of African descent have been active in Western art music since its inception. Black performers were valued members of court orchestras starting in the early 1500s, and since the 18th century have been acclaimed as both performers and composers in locales ranging from Europe and the United States to sub-Saharan Africa, the Caribbean and Latin America. However, this rich legacy remains little known. John Gray’s monumental new work seeks to correct that oversight. A long-awaited sequel to his acclaimed Blacks in Classical Music it draws on more than three decades of research to survey the vast amount of print, digital and archival material that has emerged since the late 1980s. Fully annotated and cross-referenced it offers a comprehensive overview of all scholarly writings on the subject as well as a more selective representation of reportage from the mainstream and Black press.

This new edition is organized in three easy to navigate sections--General Works; Regional Studies; and Biographical and Critical Studies--allowing users to quickly access the information they need. It covers all forms of chamber and symphonic music as well as every variety of sacred and secular vocal music from art songs and concert spirituals to choral music and opera. The book’s large Regional Studies section chronicles developments in more than 30 American states and almost 60 foreign countries, while its even larger biographical section documents the lives and work of some 2000 artists, ensembles, and organizations. More than 600 of these are composers, along with an equally impressive number of singers, instrumentalists, librettists, music educators, and others. The work concludes with a detailed subject index that offers a key to all of the book's sections and another way to quickly pinpoint citations by musical idiom, instrument, topic, place, personal name, and composition.

Major Highlights include:
  • Comprehensiveness and currency. Includes nearly 7500 annotated entries on materials published between the late 1980s and 2019, as well as older works not included in Blacks in Classical Music.
  • Linguistic diversity. Covers writings in English, French, German, Spanish, Portuguese, and Italian.
  • Topicality. Documents landmark moments in Black history ranging from Marian Anderson’s epochal Lincoln Memorial concert of 1939 to the responses of classical artists to the Black Lives Matter movement.
  • Provides in-depth coverage of Black women’s role in classical music as composers, performers, educators, impresarios, and more.
  • Spotlights the role played by historically Black colleges and universities (HBCUs) and Black music educators in helping to incubate these traditions.
  • Covers the lives and careers of some 1800 Black and mixed-race composers, ensembles, and performers, as well as a more select group of 200 composers of European descent who have been deeply influenced by Black vernacular musics. These range from Americans such as George Gershwin and Steve Reich to Europeans such as Dvorak and Debussy.

An essential resource for anyone interested in the multiple ways in which race, identity and representation have interacted in classical music over the past five centuries.

PRAISE FOR THE PREVIOUS EDITION

"[Blacks in Classical Music] provides an excellent overview, not previously available in such a convenient and concise form, of the contributions made by Black artists to the field of concert music."--Notes (Music Library Association)

"...an indispensable resource for new scholars and extremely valuable for all."--Black Music Research Bulletin

"The comprehensive scope, well-organized material and thoroughness of documentation help make this work a valuable resource and major contribution to the literature on Black classical music...It is an indispensable source for researchers, university and college music programs, and Black Studies classes. Highly recommended."--American Music Teacher

"A very fine addition for all music and academic libraries."--Choice

"This publication is worthy of highest consideration by all school and public libraries, and deserves extensive use for all academic applications, starting with the undergraduate student."--American Reference Books Annual

"...will be an essential and indispensable tool for anyone wishing to do further research in the field, and a valuable resource for every college, university or conservatory with a music program or a Black or African Studies course."--Academic Library Book Review

TABLE OF CONTENTS
Introduction
I.   GENERAL WORKS
II.  REGIONAL STUDIES
          Africa
          Alabama
          Antigua & Barbuda
          Argentina
          Arizona
          Aruba
          Australia
          Austria
          Bahamas
          Barbados
          Bonaire
          Brazil
          California
          Cameroon
          Canada
          Caribbean
          Colorado
          Connecticut
          Cuba
          Curacao
          Democratic Republic of Congo
          District of Columbia
            Washington Conservatory of Music
          Dominica
          Dominican Republic
          Egypt
          Ethiopia
          Florida
          France
          French Guiana
          Georgia
          Germany
          Ghana
          Great Britain
          Grenada
          Guadeloupe
          Guyana
          Haiti
          Illinois
            Chicago University of Music
          Indiana
          Iowa
          Israel
          Jamaica
          Kansas
          Kentucky
          Kenya
          Lesotho
          Louisiana
          Martinique
          Maryland
          Massachusetts
            Elma Lewis School of Fine Arts
          Mexico
          Michigan
          Minnesota
          Mississippi
          Missouri
          Mozambique
          Netherlands, The
          New Jersey
          New York
            Harlem School of the Arts
            Mwalimu School
          New Zealand
          Nigeria
          Ohio
          Oklahoma
          Panama
          Pennsylvania
          Portugal
          Puerto Rico
          Rhode Island
          Russia
          Rwanda
          St. Kitts and Nevis
          St. Lucia
          St. Vincent and the Grenadines
          Sierra Leone
          South Africa
          Spain
          Suriname
          Switzerland
          Tanzania
          Tennessee
          Texas
          Trinidad and Tobago
          Uganda
          Venezuela
          Virgin Islands
          Virginia
          Washington (State)
          Wisconsin
          Zimbabwe
III. BIOGRAPHICAL AND CRITICAL STUDIES
Sources Consulted
Libraries and Archives
Appendix I: List of Individuals and Ensembles by Instrument/Occupation
Appendix II: List of Individuals and Ensembles by Country
Author Index
Subject Index

ABOUT THE AUTHOR
JOHN GRAY is an independent scholar specializing in the expressive culture of Africa and the African diaspora. His previous publications include Creative Improvised Music, Hip-Hop Studies and more than a dozen others. His ADP titles Baila! A Bibliographic Guide to Afro-Latin Dance Musics from Mambo to Salsa and Music of Sub-Saharan Africa were recipients of the 2015 and 2020 Vincent H. Duckles Award from the Music Library Association.

 

 

 

Home

About ADP

Ordering

Contact

Mailing List

New Titles
www.African-Diaspora-Press.com